DENG Yi, ZHANG Qingzhuo

(Jingdezhen Ceramic University, Jingdezhen 333403, Jiangxi, China)

Extended abstract:[Background and purposes] Ceramic manuscripts, as the physical manifestation of porcelain makers' creative ideas, played a crucial role in the development of ceramic art. However, academic research on them remains severely insufficient. This paper was aimed to explore the value and significance of ceramic manuscripts within art forms. By analyzing case studies from the 1950s–70s, it was attempted to define their characteristics and examine their application and value, thus providing theoretical support for contemporary ceramic creation and guiding future development directions.[Methods] In this study, a combined approach of case analysis and theoretical induction was employed. The broad definition of ceramic manuscripts was clarified, encompassing the entire process from sketches to final designs. Then, manuscript examples from the mid-20th century were focused, particularly those from Jingdezhen's state-owned porcelain factories, while their dual functions were analyzed, as both "fenben" (pouncing patterns) for replication and production and sketches for artistic creation. The creation process of the ceramic mural "Song of the Forest," led by Zhu Danian, served as a key case study to reveal how manuscripts bridged artistic conception and technical practice in collaborative projects.[Results] Three key characteristics of ceramic manuscripts were identified including "Transferability" enabling accurate translation of 2D designs onto 3D forms, "Versatility of a Single Manuscript" allowing for both standardized replication and adaptive interpretation and "Inheritance and Replication" serving as the core vehicle for the intergenerational transmission of techniques and motifs. They had applications in two primary domains. Technically, they are crucial for ensuring precise production and managing firing risks. Artistically, they act as creative foundations for recording inspiration, refining composition and possess independent aesthetic value. Consequently, these manuscripts carry a dual value: historical value as visual archives and cultural value embodying craftsmanship and the aesthetic sensibilities of their era.[Conclusions] It is concluded that ceramic manuscripts are multidimensional artifacts integrating technique, art and culture, with significance extending far beyond mere preparatory sketches. They function simultaneously as blueprints for production, the soul of creation and living historical heritage. Currently, the rescue and preservation of these manuscripts, alongside in-depth research, are of utmost urgency. This study was aimed to call for increased academic attention towards ceramic manuscripts, a focus vital not only for a complete historical understanding but also for the future innovation and development of ceramic art.

Key words: ceramic art; manuscripts; artistic creation